Email Specials from September 2002

Sat 9/7/02

 

It's so hard... nearly impossible... to imagine the future. (When I started this place I could never have predicted this "email" thing.) And it's actually almost as hard to imagine the past.

Our building here at Pittsburgh Guitars was built in 1889. Sometimes when we're standing in front of the store we try to picture what it must have been like, and smelled like, in 1889 when all of the traffic in front of our store was on horseback. We're guessin' it smelled BAD. But it's impossible to imagine what it was really like... and what it would be like to not know any better. (It would be 19 more years before Henry Ford built the Model T, and many many more years before cars became the primary mode of travel on East Carson Street.)

Moving ahead in history, if you had a band in 1952, you would just accept the fact that you had to find a way to get your bass player's huge upright bass to every gig. And, as more and more guitars started using pickups, and amps were getting so powerful that some of them were putting out up to 20 watts(!!!!) your bass player was getting harder to hear.

But like the 1889 horse fumes, in 1952 you just didn't know it could be any different.

THAT was the world that Leo Fender turned on its ear with his new invention: a small, easy-to-hold, fretted, electric "Precision" bass!

Now, in 2002, it's almost impossible to imagine what a radical idea that was. But when you think about it, in the history of Rock & Roll, Leo's Precision Bass may even be a more significant invention than his Telecaster!

 

Well, that was the stuff that was going through my mind as I was setting up the new "History Of The Electric Bass" in the store showcase, featuring 14 different basses from 1952 to 1962. And it's also interesting to see how the other manufacturers tried to compete with Fender in this new field. Both Gibson and Hofner chose the violin shape route. And Gretsch? Well, there's no explaining what they did...

 

See You soon,
Carl

 

PS: The answer to last week's question:
The Pythagorean Theorem tells us that in a right triangle, the sum of the squares of the two legs is equal to the square of the hypotenuse. So, in our example 60 squared is 3600, 481 squared is 231361. 3600 plus 231361 = 234961. And the square root of 234961 is 484.72 or $484.72 **NOTE** Since a lot of folks got headaches trying to figure that out, we're going to honor that deal THIS WEEK too.

Sat 9/14/02

 

Picks. They're small. They're cheap. Everybody needs `em.

 

See You soon,
Carl

PS: This week's Customer web site:
The Pawnbrokers

Sat 9/21/02

 

I went to the dentist this morning and it's really amazing how things have technologically changed in dentist-land. Now, when you get a filling, they put some goop on the tooth, shine a light on it, and it's solid and ready to go in seconds! And the X-Ray machine downloads immediately to a laptop computer... in color! It made me think how cool it would be to X-Ray some guitars. (Guitars are always on my mind. Don't know why...) And one guitar that would look wacky under the surface is a Danelectro.

Nat Daniels started making guitars in 1954, and he soon came up with a design that was both easy to make and cheap. His Danelectro guitars featured an inexpensive pine frame with masonite tops and backs. And thanks to their reliable construction and low price, thousands of kids in the 1950s and 1960s learned to play on a Danelectro. (From 1954 until 1966 Daniels also made guitars for Sears, which were marketed under the "Silvertone" name.)

In 1966 Nat Daniels sold his company to MCA, and, as often happens when a big corporation buys a small company, Danelectro was out of business by 1969.

In 1997 a guy in California bought the long-unused "Danelectro" name and started to reintroduce the old models. They are still nice guitars, and still inexpensive. We've sold lots of them here at Pittsburgh Guitars. And we're featuring a few this week as our email special.

 

See You soon,
Carl

 

PS: More about Nat Daniels:
Nat Daniels is hardly a household name in the history of electric guitars, but he should be. In addition to making the first pine/masonite guitar; he made the first six-string bass; he marketed the first electric sitar; he started using jumbo frets five years before Gibson; he designed a neck-tilt adjustment for his guitars ten years before Fender started to use a nearly identical system; he was the first person to use an .008 gauge string on a guitar; he was the first manufacturer to shield the inside of the guitar's control cavity to stop buzz; and he designed the first tear-drop shaped guitar body (later used by Vox) and the famous Danelectro Longhorn body. And all of his instruments featured his uniquely designed "Lipstick Tube" pickups, which actually used real lipstick tube covers that he bought from a cosmetics firm in New York.

Sat 9/28/02

 

Yesterday we were talking to one of our customers, Bill Allen, about the guitars that a guitar player "must have." A Strat, of course; a Martin Acoustic, a Rickenbacker 12-String, and the old trusty Les Paul. It reminded me of the origin of The Les Paul, and the different opinions of those involved. Les Paul says that he designed the guitar. Gibson says that they were ready to make a solid electric guitar and they wanted somebody famous to help market it. (Gibson noticed the success Leo Fender was having with the new Telecaster. They had to come up with something to compete.) Les Paul was famous, and his name helped make the guitar a household name. Les had been experimenting for years with the solid body concept, and Gibson & Les Paul were a good match.

Gibson has a history of using famous endorsers. To name a few, there's the Gibson Trini Lopez Model, the Barney Kessel, the Johnny Smith, and the B. B. King Lucille.

Now, Gibson has come up with "Signature Strings." After all, how many times have you said to yourself, "I would be such a better player if only I had Ace Frehley Strings on my guitar?"

 

See You soon,
Carl

 

PS: We have a few sets of tickets to a new movie in town, "I Am Trying to Break your Heart." It's a documentary about the band Wilco and it follows the band through the making of their fourth album, "Yankee Hotel Foxtrot." The show is at the Harris Theatre, 809 Liberty Avenue, Downtown, and the tickets will be good for Monday Oct 30 thru Thurs Nov 3rd. If you're interested, write back. We have a pair of tickets for the first 4 folks who respond.


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